In case you’ve lived under a rock (or were locked in tower like “Tangled’s” frying pan-wielding, Tarzan-swinging Rapunzel) for the past three years, you might have noticed Disney’s re-branding — touting virtuous and brave princesses. Nowadays, their animated damsel in distresses resemble the three-dimensional, bow-and-arrow-wielding Meridas from Pixar’s “Brave.”
“Frozen” tries to be the franchise’s latest progressive, self-aware princess movie, featuring 3D technology and challenging its own tropes.
“Hang on, you mean to tell me you got engaged to someone you just met that day?” says Kristoff (Jonathan Groff) — the huntsman to Princess Anna’s Snow White — dismissing the Snow White, Cinderella and Sleeping Beauty stories of another era.
“Foot size doesn’t matter,” responds Princess Anna (a zinger perhaps directed at Disney’s “Cinderella” and her man, Prince Charming).
But as much as Disney’s evolved over the years, the same fairy tale tropes are central to the formulaic “happily ever after” storyline — written by Chris Buck, Shane Morris and “Wreck It Ralph’s” Jennifer Lee.
Princess Anna (Kristen Bell) of Arendelle is another sheltered princess with big blue eyes and red hair, eager to be part of another world and dreaming of a love’s true kiss. “What if I meet the one?” she sings in “The First Time in Forever.”
Bubbling with optimism at the prospect of love, Anna resembles Amy Adams’ Giselle from “Enchanted,” Fiona from “Shrek,” and Ariel from “The Little Mermaid” (and like Ariel in the iconic “Kiss the Girl” scene, Anna also falls into a boat with a handsome prince).
Her counterpoint lies in her older sister, Elsa, a poised blond-haired, blue-eyed witch concealing volatile powers like Jack Frost’s. Voiced by Idina Menzel, known for her role as another misunderstood witch (Elphaba in the musical “Wicked”), Elsa’s like Jo Rowling, entertaining her younger sister with magic. In Rowling’s case, she created stories; Elsa animated goofy snowmen like Olaf (Josh Gad).
Elsa accidentally harms her sister during a bit of roughhousing; her parents order her to hide her powers from everyone, especially her sister. Her parents die (like all fairy tale parents do). But as much as Elsa’s a good girl, she can’t contain her magic forever. During her highly attended coronation years later, Elsa accidentally unleashes her magic, freezing Arendelle and becoming both the evil queen and the persecuted beast.
While “Frozen” bills itself as the “best film since ‘The Lion King,'” the movie’s appeal lies in the retelling of universal stories — a formula Disney has mastered. The beloved “Lion King” is, after all, an animated (pun intended) retelling of Shakespeare’s “Hamlet.” “Frozen’s” inspired from Hans Christian Andersen’s “The Snow Queen.”
Buck, Morris and Lee drew from the Disney canon, amalgamating half a dozen fairy tale classics; composer Christophe Beck re-writes the musical medleys of yesteryear into ‘wicked’ soundtracks. (Menzel’s voice is chilling, isn’t it?)
The result is as expected: another satisfying crowd-pleaser guaranteed to melt any frozen heart.
“Frozen” was directed by Jennifer Lee and Chris Buck, and written by Lee, Buck and Shane Morris. It’s based on Hans Christian Andersen’s “The Snow Queen.”