Burton’s ‘Frankenweenie’ reborn in 3D

Tim Burton has directed countless movies, many of them featuring characters with big eyes and dark, gothic eye shadow. However, his latest film, “Frankenweenie,” a 3D black-and-white, stop-motion animation remake of his 1984 short, has its own special, childlike charm.

“Frankenweenie,” loosely based on Mary Shelley’s novel, “Frankenstein,” follows the relationship between Victor Frankenstein (Charlie Tahan) and his dog and best friend, Sparky (Frank Welker). When a driver accidentally runs over Sparky, Victor is devastated until he gets the crazy idea to try to bring his dog back to life.

Unlike Shelley’s Victor Frankenstein, Burton’s is younger and more innocent. The film carries threads of past Burton films; for example, “Corpse Bride” also featured the dead coming back to life, while “Edward Scissorhands” featured a budding inventor and his creations. Despite how “Frankenweenie” mirrors themes of older Burton films, the modern retelling of the classic “Frankenstein” never gets old.

Compared to Burton’s 1984 short, which starred Barret Oliver as Victor, the 2012 animated remake of “Frankenweenie” shares similar and nearly identical scenes. However, compared to the half-hour short, Burton adds an hour worth of exposition as well as crams more memorable, creepy and disturbing characters into the remake. Edgar (Atticus Shaffer), a kid in Victor’s class who wasn’t in the original version of the film, trails Victor and blackmails him to show him how he revived his dog. A weird girl (Catherine O’Hara) always carrying a white cat named Whiskers resembles J.K. Rowling’s character Luna Lovegood in “Harry Potter,” giving spacey and elusive omens to the protagonist.

The newer version of “Frankenweenie” illustrates the lengths to which some middle school kids will go to to place first at a school science fair: One boy jumps off a building and breaks his arm to test his experiment. These plot points seems to gear the film from kids to an older and more mature audience, which would understand troubling issues such as death and competition.

The film’s introduction, featuring Victor screening a short movie of his dog, Sparky, to his parents, is a clever way to showcase the overuse of 3-D technology. “Do we really need these 3-D glasses?” Victor’s mom (Catherine O’Hara) says. Though the film’s own 3-D feature offers the occasional scare when animals or baseballs pop out of the screen, it was neither dazzling nor necessary. The real star of the film was the stop-motion animation. Sparky pants, sniffs, barks and wags his tail just like a real dog would; unlike Dug, the dog from Pixar’s “Up,” or the cast of animated dogs in Disney’s “Oliver & Company,” Sparky doesn’t sing or speak English. Meanwhile, Welker’s voice, known as the voice of Scooby Doo, lends itself to bringing the character of Sparky to life.

Though “Frankenweenie” may not live up to previous Halloween-themed Burton classics like “The Nightmare before Christmas,” “Frankenweenie” illustrates that despite all these years, the tale of Shelley’s “Frankenstein” still stands the test of time.

“Frankenweenie” was written and directed by Tim Burton. The screenplay was written by Leonard Ripps and John August.

To read this review in The Ithacan, click here.

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2 thoughts on “Burton’s ‘Frankenweenie’ reborn in 3D

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